Thursday, May 22, 2014
Brazil is, of course, the most soccer-obsessed country on a planet full of soccer obsession. My first stay in Brazil was during the 1996 Olympics, so that football (aka soccer) was everywhere I turned, from local pickup games (I wisely opted not to join, probably saving myself some broken bones) to the usual national leagues to the Olympic games themselves, in which Brazil "only" won bronze. I learned that the word duration of an announcer's calling of the word "GOL!" was in proportion to the importance of a goal, and that if I heard it on my television -- or a neighbor's television -- I would hear firecrackers in the neighborhood in just a few seconds, in proportion to the number of Os in GOOOOOOOOOOOOOL!
So the World Cup is fraught, and the concerns are quite serious. But it is still the World Cup and it is still Brazil, so there will be much to celebrate and much to learn -- about the geography of the world in general and the geography of Brazil in particular.
It is in this context that Colombian superstar Shakira offers La La La. As the title suggests, it is not her most intriguing work in terms of lyrics. In fact, the song makes little sense to me, aside from the video. But with the lush visual performance, it is a great example of music as cultural geography. Specifically, it is an engaging exercise in corporeal vexillology. The comments section on YouTube shows that the video is sending people to their search engines in great numbers, all with the question, "What flag was THAT?"
If you are as intrigued by flags as I am -- though I really frustrate myself by not being able to remember them -- have a look at all the vexillology entries in this blog and even more vexillology on EarthView, which includes some quizzes.