But gradually, I realize that her music is always at several levels -- the beauty of the words, the beauty of the images she portrays, and eventually some wisdom and some justice. Certainly this is the case with Donde Voy (Where I Go).
Tish has been part of our family listening for 20 years, and frequently part of my teaching since 2010, when we saw her in person for the first (and so far only) time in Boston of all places. My post University of Tish, Passim Campus explains why her work is so important to us as a Latin Americanists. I also mention specific songs in my posts La Llorona and Semana de los Muertos.
Finally, in searching for a nice still photo (of which there are many), I found this image of Tish with a guitar on what turned out to be a nice introduction produced for the PRX series This Week in Texas Music History. Texas music scholar Gary Hartman describes the arc of a career that has taken Tish Hinojosa from Texas to Nashville to Taos and back again.
She is worldwide now, of course, running Mundo Tish from her home in Switzerland!
I wrote "finally" above, but I want to leave this very important song in a place where it might get noticed. With the political ascendency of those who think we have too much environmental regulation, it is important to consider how many chemicals are not regulated enough. A half century after Rachel Carson explained this to us in Silent Spring, we still need this reminder from Tish. No translation is needed -- this is one of the best examples of her ability to weave a story with two languages.